Bazille

Talon Bazille Ducheneaux is a rap artist, producer and sound designer from the Cheyenne River Lakota and Crow Creek Dakota tribes in South Dakota. He began recording at the age of 13, and in high school worked to stay in gifted and talented programs, which became a means of recording music. Keeping music close to spirit always, upon graduating with a bachelor’s degree in psychology from the University of Pennsylvania, Bazille released what he considers his “personal thesis” project: “Sake” (Talon in Dakota), a 51-track self-produced solo album. Since then, he has performed from local tribal halls to the Kennedy Center. As a sound designer, his work has also made its way into art exhibits, one recent collaboration with Dyani White Hawk & Leya Hale, “RELATIVE” - which is part of the Rising Sun Philly exhibition at PAFA. Serving as the sound designer in 2023 for Cornerstone Theatre Company’s Oceti Sakowin community play, “Wicoun”, Bazille later served as Indigenous music consultant in a play written by Larissa Fasthorse & Ty Defoe, called “For The People” which featured at The Guthrie in Minneapolis, MN. He currently works as the program manager for the Wicahpi Olowan Music Program & Recording Studio, via First Peoples Fund and in partnership with Playing For Change Foundation at the Oglala Lakota Artspace, that offers free studio access and other music programming in the community. With this, Bazille continues to also create and release albums, EPs and singles, like “Taku Sni” (Nobody in Lakota), “WCWW” (his Lakota name, Wakinyan Cante Waokiya Wicasa), “Donnie Yeska” (or Don Iyeska - Iyeska meaning mixed-blood in Lakota) and now, “Creator Bless The Underground”.

De Miye…

“Bazille is my middle name. It comes from a great-great grandfather on my dad’s side, Bazil Claymore. Growing up, my uncles and grandpa (who begged my mom to name me it) would call me versions of this name. “Baaazille!”, “Bazillion!” & “Baz”… but that wasn’t why I took this name as my “artist/rap name”. As I began releasing mixtapes in high school, I visited great-great grandpa Bazil’s grave. On the tombstone it read that he was fair to everyone, no matter their background, just that he was a fair and common man, basically…. That gave me some purpose and direction in my voice. It was then that I fully recognized the legacy of his name, and told myself that I would be fair and open when it came to how I operate in and around music and also in my life. Thus, in my material I don’t lie or construct things out of a deceitful motive. In that, I remind myself that I refuse to hold back in this music. I may be more reserved in my day to day, I think maybe because I transmute a lot of my pain and strong emotions into the music and onstage when I perform. This is why, as a Dakota & Lakota, while I do incorporate things like my culture and language, I try to incorporate that in ways that I feel more reflect my honest state of being, even if that means being vulnerable or taking a risk.”

Contact

I’m always down to collaborate or discuss projects! Feel free to reach out via the form: